Bibliography - Trevor Rowley
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Emeritus Fellow of Kellogg College and a Fellow of the Society of Antiquaries

Publications

The Man Behind the Bayeux Tapestry: Odo, William the Conqueror's Half-Brother, by Trevor Rowley, published 1 March 2013 (192 pp., Stroud: The History Press, ISBN-10: 0752460250 & ISBN-13: 9780752460253) accessible at: British Library
Abstract:
Odo of Conteville, the younger half-brother of William the Conqueror, was ordained Bishop of Bayeux while still in his teens. A larger than life character, he is best known for commissioning the Bayeaux Tapestry, in which he makes a dashing appearance at the height of the Battle of Hastings. He also played a pivotal role in the planning and implementation of the Conquest of England, after which, as Earl of Kent, he was second only to William in wealth and power.
The popular impression of Odo is of a not so loveable rogue, who typified the worst excesses of the Norman conquerors. He was the first Chief Justice of England and on occasion also acted as regent when the king was in Normandy. After defrauding both Crown and Church, however, Odo was disgraced and his plans to raise an unauthorised army for a campaign in Italy, possibly in order to gain the papacy, saw him imprisoned for five years. He was released by the dying William in 1087, but soon rebelled against the new king, his nephew William Rufus.

An Archaeological Study of the Bayeux Tapestry: The Landscapes, Buildings and Places, by Trevor Rowley, published 30 September 2016 (192 pp., Pen & Sword Archaeology, ISBN-10: 1781593809 & ISBN-13: 9781781593806)
Abstract:
An Archaeological Study of the Bayeux Tapestry provides a unique re-examination of this famous piece of work through the historical geography and archaeology of the tapestry. Trevor Rowley is the first author to have analysed the tapestry through the landscapes, buildings and structures shown, such as towns and castles, while comparing them to the landscapes, buildings, ruins and earthworks which can be seen today. By comparing illustrated extracts from the tapestry to historical and contemporary illustrations, maps and reconstructions Rowley is able to provide the reader with a unique visual setting against which they are able to place the events on the tapestry. This approach allows Rowley to challenge a number of generally accepted assumptions regarding the location of several scenes in the tapestry, most controversially suggesting that William may never have gone to Hastings at all. Finally, Rowley tackles the missing end of the tapestry, suggesting the places and events which would have been depicted on this portion of William s journey to Westminster.