Publications
Obituary: Edward Heron-Allen, by Unknown, published August 1943 in Sussex Notes & Queries (vol. IX no. 7, p.164) accessible at: W.S.R.O. [Lib 8227][Lib 2208] & The Keep [LIB/500211] & S.A.S. library
Journal of the Great War. From Sussex Shore to Flanders Fields, by Edward Heron-Allen and edited by Brian W. Harvey and Carol Fitzgerald, published 2002 (vol. 86, xxii + 282 pp., Sussex Record Society, ISBN-10: 085445053X & ISBN-13: 9780854450534) accessible at: W.S.R.O. [Lib 15043] & The Keep [LIB/500463][Lib/507867] & West Sussex Libraries & East Sussex Libraries View Online
Abstract:Edward Heron-Allen was a polymath; one of the most remarkable of his era. By profession a solicitor, he was also a distinguished zoologist (F.R.S.), historian, Persian scholar and translator, author of a classic book on violin-making studied worldwide, cheirosopher and writer of early science-fiction novels and stories, some of these being published pseudonymously and now much sought after. He left many beautifully bound unpublished manuscript volumes (carefully preserved by a grandson) and it was amongst these that the editors came across this fascinating Journal of the Great War, previously unknown outside the family.
In this personal Journal Heron-Allen chronicles the impact of the War on the lives of himself, his family in Selsey, West Sussex and on a wide range of friends, acquaintances and organisations nationally. With the observant and penetrating eye of an experienced author, lawyer and scientist, he describes in unsurpassed detail the day-to-day experiences of life under the increasingly stringent conditions of wartime Britain. He depicts the effects of conscription, spy scares and Zeppelin raids on the population, both in Sussex and in London, where he retained a town house.
Although well over age, he was determined to contribute actively to the war effort and the Journal recounts his military training with the Sussex Volunteer Regiment - a somewhat 'Dad's Army' process depicted with a touch of humour - then officer training in Tunbridge Wells. However, the final stages of the War find him making use of his linguistic abilities in the propaganda department of the War Office, working with colleagues who included the uncongenial H.G. Wells. As part of this work he visited the Western Front and saw for himself the terrible destruction of places he had known before the conflict. All of this is interwoven with his vivid account of the privations and near social breakdown of the local Sussex community.
In his unusually lively and controversial text, Heron-Allen does not disguise his criticism of a good many of the well-known characters he encounters - such as the novelist Ford Madox Ford, his tenant at Selsey. The importance of this previously unpublished Chronicle is, though, that it casts an exceptionally civilised and perceptive eye on the Home Front - and especially the Sussex Home Front, illuminating one of the defining moments of the 20th century and the irrevocable changes that the Great War inflicted on the structure of English life.
In this personal Journal Heron-Allen chronicles the impact of the War on the lives of himself, his family in Selsey, West Sussex and on a wide range of friends, acquaintances and organisations nationally. With the observant and penetrating eye of an experienced author, lawyer and scientist, he describes in unsurpassed detail the day-to-day experiences of life under the increasingly stringent conditions of wartime Britain. He depicts the effects of conscription, spy scares and Zeppelin raids on the population, both in Sussex and in London, where he retained a town house.
Although well over age, he was determined to contribute actively to the war effort and the Journal recounts his military training with the Sussex Volunteer Regiment - a somewhat 'Dad's Army' process depicted with a touch of humour - then officer training in Tunbridge Wells. However, the final stages of the War find him making use of his linguistic abilities in the propaganda department of the War Office, working with colleagues who included the uncongenial H.G. Wells. As part of this work he visited the Western Front and saw for himself the terrible destruction of places he had known before the conflict. All of this is interwoven with his vivid account of the privations and near social breakdown of the local Sussex community.
In his unusually lively and controversial text, Heron-Allen does not disguise his criticism of a good many of the well-known characters he encounters - such as the novelist Ford Madox Ford, his tenant at Selsey. The importance of this previously unpublished Chronicle is, though, that it casts an exceptionally civilised and perceptive eye on the Home Front - and especially the Sussex Home Front, illuminating one of the defining moments of the 20th century and the irrevocable changes that the Great War inflicted on the structure of English life.
The man with many talents: Edward Heron-Allen - marine biologist, historian, writer, lawyer and violin maker, published 2003 in The Strad: a monthly journal for professionals and amateurs of all stringed instruments played with the bow (vol. 114, part 1354, article, pp.152-157)
Edward Heron-Allen, Raymond Tinne Berthon and Treasure Trove at Selsey, by Timothy J. McCann, published July 2005 in Opusculum; Edward Heron-Allen Symposium; London (article, pp.4-16, Heron Allen Society)
Heron-Allen and the 'Saxon feet' from Selsey, by David Bone, published 2013 in Sussex Archæological Collections (vol. 151, article) accessible at: W.S.R.O. [Lib 18616] & The Keep [LIB/507730] & S.A.S. library View Online
Abstract:A piece of stone dredged off Selsey in 1909 was described by local historian Edward Heron-Allen as a foot of a Caen Stone statue of Saxon date from the ruins of the submerged Selsey Cathedral. A second foot, also slightly larger than life-size but cruder in style, was found on the Selsey foreshore in 1939, and cast some doubt on Heron-Allen's identification. A new assessment has shown that both finds are Bognor Rock and almost certainly flukes of nature. If future discoveries prove that they are indeed weathered pieces of statue, then a late medieval date would be more appropriate.